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・ Quebec Charter of Human Rights and Freedoms
・ Quds Force
・ Quds in Persian literature
・ Quds Street
・ Qudsaya
・ Qudsaya District
・ Qudsi
・ Qudsia Bagh
・ Qudsia Begum
・ Qudsia Tahseen
・ Qudud Halabiya
・ Qudula
・ Qudus Lawal
・ Qudwa
・ Que
Que (tower)
・ Que Alegria
・ Que C'est Triste Venise
・ Que Cante la Vida
・ Que Corra La Voz
・ Que Dios me perdone
・ Que du vent
・ Que el cielo espere sentao
・ Que El Ritmo No Pare
・ Que Estés
・ Que Ganas de Volver
・ Que Hill
・ Que Ironía
・ Que la barque se brise, que la jonque s'entrouvre
・ Que la lumière soit


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Que (tower) : ウィキペディア英語版
Que (tower)

Que () is a freestanding, ceremonial gate tower in traditional Chinese architecture. First developed in the Zhou Dynasty, ''que'' towers were used to form ceremonial gateways to tombs, palaces and temples throughout pre-modern China down to the Qing Dynasty. The use of ''que'' gateways reached its peak during the Han Dynasty, and today they can often be seen as a component of an architectural ensemble (a spirit way, ''shendao'') at the graves of high officials during China's Han Dynasty. There are also some ''que'' found in front of temples. Richly decorated, they are among the most valuable surviving relics of the sculpture and architecture of that period.
==''Que'' in the Han Dynasty==
It is thought that the ''que'' familiar to us are stone reproductions of the free-standing wooden and/or earthen towers which were placed in pairs in front of the entrances to the palaces, temples, and government buildings of the period (already known during the Qin Dynasty). Such free-standing towers, serving as markers of the symbolic boundary of a palace's or temple's premises, had developed from gate towers that were an integral part of a building or a city wall. None of such ''que'' in front of buildings have survived, but images of buildings with such towers in front of them can be seen on extant brick reliefs in Han Dynasty tombs, such as the one in Yinan County, Shandong).〔
At the spirit roads, the ''que'' also appeared in pairs, one on each side of the road. During the time of their popularity, the ''que'' were usually the largest and most expensive component of the spirit way; such a tower could cost 4 times as much as a stone lion, or 10 times as much as a memorial stele.〔
The symbolic meaning of a tomb ''que'' may have been based on that of the ''que'' in front of a palace and building. Here, it would symbolize the passage of the soul into the world of the spirits. A tall vertical structure, ''que'' would at the same time symbolize a link with heaven.〔
The use of ''que'' on spirit ways declined after the fall of the Eastern Han. Some ''que'' from the 3rd and 4th century have been found in Sichuan, but, as Ann Paludan notes, only in the province's more remote and presumably culturally conservative parts. Generally, after the Eastern Han era, the role of ''que'' on the spirit way was assumed by ''huabiao'' pillars.
Around 30 ''que'' have survived to the present day. Most of them are in Sichuan; a few in Henan and Shandong. According to Ann Paludan, this distribution may be explained by two reasons. First, there may have been more stone ''que'' produced in these regions in the first place, due to the ready availability of stone and the tradition of stone-working craft; meanwhile elsewhere wooden ''que'' were built, which have not survived. Second, Sichuan has more remote, hard to access areas, which is exactly where many of the Han Dynasty ''que'' have managed to survive. The locations around the imperial capitals, where the Eastern Han imperial mausolea were located, saw more intensive level of destruction over the almost 2000 years that have elapsed since that era, and the ''que'' constructed there did not have a chance to survive.〔
Many of the Sichuan ''que'' were first made known to the international scholarship by Victor Segalen, who described them during his 1914 expedition.〔〔("Chine. La grande statuaire", and "Les origines de la statuaire en Chine" )〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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